When a custom piece is needed before tomorrow's call time, we're the number on speed-dial. We've never missed.
When a costume detail changes at noon and the rack needs it by tomorrow, we're the shop wardrobe departments keep on speed-dial.








Sets run on hours, not business days. Our shop is built around the same rhythm.
Costume detail changes at noon? Send it. We've built capacity to absorb it.
When we accept the deadline, we hit it. Thirty years on Toronto productions.
From the call to set, in as little as a day.
Email or call. Send artwork, garment, call time. We confirm within the hour.
Digitized proof for approval. Greenlight, and production starts immediately.
Produced in-house. Inspected before it leaves the facility.
Studio pickup or courier direct to set. You'll know exactly when it lands.
Most rush production orders are ready the same day or next day. Always.
Built around the realities of GTA production schedules, not against them.
Built around rush. Morning email, same-day turnaround, ready for pickup. Tomorrow's call time? Not a problem.
Crests in any shape. 3D puff, appliqué, multi-piece layered designs. The work you see on screen.
Show codes, cost centres, AP formats. We adapt to your workflow.
No public client lists. No social mentions. What we do for you stays between us.
What you get when you bring a show to us.
Three promises. Built for set, not for spreadsheets.
We've never missed a production deadline. 30-year track record.
Built for camera, lighting, and production wear. Fixed before it leaves if it isn't right.
When you need to reach us about a job in progress, you can.
I've called them at 4pm needing 30 custom pieces by the next morning. Every single time, they delivered. They're an extension of our wardrobe department.
Custom crests for a period piece: six different designs, all needed in three days. Done. We didn't have to hunt for status updates once.
They get production. The billing flows through our AP without us reformatting a single thing. That's worth more than people realize.
Common questions from wardrobe, costume, and production teams.
Same-day and next-day rush is standard for us. Reach out in the morning and you'll often have your order before end of day. We've handled 50-piece orders overnight more times than we can count.
Yes. 3D puff, complex appliqué, multi-piece layered crests, multiple placements per piece. The work that puts a character on screen is the work we love. Bring us the harder briefs.
Any shape, any size, any complexity. From simple text crests to fully detailed multi-piece designs with multi-colour digitizing. Most can be turned in 24 to 72 hours depending on quantity.
We adapt to your AP workflow: show codes, department cost centres, blanket POs, production-specific invoice formats. You won't be reformatting our paperwork to fit your system.
Yes. We don't publish client lists, post on social media about projects, or discuss your work with other clients. Discretion is the default, not a policy we apply on request.
Yes. Courier delivery directly to set, by appointment. Tell us the address and the window; we'll handle the rest.
Vector art (AI, EPS, or PDF) is ideal and lets us start fastest, but a clear reference or sketch works too: we redraw to vector in-house if you don't have it. Embroidery is digitized once and that file is kept for the show, so reorders skip the setup step.
Yes. Send us the character pieces or stock you already have and we decorate on those. One piece or fifty, the turnaround is the same, and there's no minimum order.
Yes. We keep the digitized artwork on file for the show, so a damaged hero piece or a new cast member matches the original exactly. Reorders aren't re-charged setup, and we run rush on those too.
Planning a season ahead or need it by tomorrow's call time? Either way, start here. Send the artwork, garment, quantity, and deadline. We confirm in hours, or tell you immediately if we can't.